What does it mean for the humanities to be invisible in the digital age? We often bemoan the fact that our disciplines are under-valued, under-funded, and downtrodden. Yet do we not, as academics, ourselves hold some responsibility for this situation? Continue reading “Why I Share My Work in CORE”
What is the relationship between the humanities in the university and the “public” in the public square? This is a question we tackle daily as art historians. Scholars who deal in visual culture-related subjects are often looked to to define, and even to model, public engagement in reconciling the arts. Seemingly the environments that art historians normally concern themselves with – museums, galleries, print and digital media – mesh more easily with public concerns than STEM. In the competition academic art history demands, we are exhorted to link humanities work with participation in vigorous public dialogue. Continue reading “Between Disciplines on the Commons”
It’s been a year.
I find myself saying that a lot lately, for reasons that you can probably imagine. Much about the last year has been disheartening, infuriating, anxiety-producing.
But a few good things stand out, and one of them has been the extraordinary first year of Humanities Commons. Continue reading “This Year”